SCREENWRITER & DIRECTOR
the Polish workers come to the Swedish countryside and pick strawberries. They arrive by caravan, tending the fields all day and keeping to themselves at night, while the landowners hardly bother to learn their names. (…) In this sensitive, sun-kissed teenage romance, Swedish director Wiktor Ericsson invites audiences to recognize and identify with these faceless outsiders, asking for equality on the simplest terms. (…) Though the setting may be specific, its appeal is universal, boasting a texture so rich, you can practically smell the ripe strawberries in the air — which makes this alternately sensual and sensitive feature a strong pick for festivals and arthouses in nearly every corner of the world.
Peter Debruge, VARIETY